LORE

I was born into a Filipino family where storytelling wasn’t a hobby — it was a necessity. In a country shaped by poverty and resilience, we grow up learning how to find joy in the smallest places. We act. We sing. We laugh. We make stories out of nothing, because sometimes it’s all we have.

Happiness becomes a choice when life doesn’t hand it to you freely.

Movies were an escape, most definitely. As a kid, I didn’t just watch films — I studied them. I watched how characters carried pain, how they hid their pasts, how they broke, healed, and rose again. It made sense to me. And just as the characters in the films I loved found their way through adversity, I realized I could overcome my own.

My childhood was a patchwork of cultures, beliefs, and contradictions. I grew up Catholic, surrounded by ritual and reverence, but like many teenagers, I drifted. I thought I was searching for identity — in fashion, nightlife, music — but really, I was searching for meaning. I found myself drawn into the goth scene, convinced I understood the “dark aesthetic.” The leather, the eyeliner, the clubs, the drugs… it all felt cinematic, dramatic, alive. It gave me a sense of belonging, or at least the illusion of it.

But in chasing that darkness, I didn’t realize something:
I was running away from the light.

Life has a way of teaching you the truth in places you least expect. Mine came through pain, disillusionment, and the constant ache of questions no lifestyle could answer. When you strip away the noise, the shows, the personas… you’re left with the voice you’ve been avoiding. And in the quiet, I learned something undeniable:

God is real.
And every story I’d ever loved was pointing me back to Him.

That truth changed everything.

As I grew older and eventually found my way to Hollywood, I pursued film with the same hunger I once used to fill the emptiness. But filmmaking humbled me fast. When you’re working in the indie world, you don’t have million-dollar budgets or massive crews. All you have is story. And if your story isn’t gripping from the first sentence, the audience leaves. That sharpened me — taught me discipline, clarity, honesty.

An indie filmmaker cannot hide behind spectacle.
Your writing must carry weight.
Your characters must bleed truth.
Your vision must be undeniable.

My passion for storytelling was born from limitation — and perfected through perseverance.

And yet, as meaningful as filmmaking became, something in me always felt unfinished. Achieving success, completing a movie, navigating Hollywood — it all meant something… but not everything. Art feeds the soul, but it isn’t the source of it.

The real source is the One who gave me the ability to create in the first place.

Today, my purpose is clear:

to honor God by telling stories that reveal the truth of the world — its beauty, its corruption, its redemption, and the spiritual battles we cannot see.

I’ve lived in darkness.

I’ve walked through loss, temptation, rebellion, reinvention.

I’ve chased identity through art, music, subculture, and destruction.

But none of it compared to the moment I realized that the Author of existence had been writing my story all along.

I make films now — not just to entertain, but to awaken.

To show the unseen.

To confront the shadows.

To remind people that hope is real, and TRUTH is living.

To prove that even in the harshest worlds, redemption is possible.

My journey didn’t begin in Hollywood.

It began in the Philippines — in joy, in struggle, in imagination.

It continued through darkness.

And it found its meaning in Jesus Christ.

Everything I create now — every character, every frame, every script — is part of that testimony.